Exposure
Welcome to NTU Film Society’s in-house publication.
Reviews of works, especially positive, that help an audience regard the film deeper.
Op-eds or dissenting pieces that provide something different from the mainstream.
Reviews, criticisms or pieces that view the art through a new, specific or varied lens.
Essays that delve deeper into the theoretical aspects of film, often academic in nature.
SGIFF Review: Cu Li Never Cries (2024)
In the monochrome heart of Hanoi, a bereaved woman redefines home, family, and enduring bonds in a poignant exploration of identity and belonging. Staff Writer Tan Yan An reflects on the critical Cu Li Never Cries.