Staff Writer Kuo Yi Quan reviews The Solitary Gourmet (2024), the latest addition to the beloved Japanese culinary series.

Guest writer Henrique Bravo reviews the Glen Powell-starrer Hit Man (2023), and explores how it is more than just a rom-com, but also a giant lecture on the philosophy of life.

Staff writer Tan Yan An looks back at the cult classic that propelled Matt Damon and Ben Affleck into Hollywood, and reflects on how its portrayal of emotional journeys should have been more profound.

Guest writer Adrian Ho makes a case for the widely contentious Aloha (2015), and argues that there is more to it than meets the eye.

Staff Writer Ezekiel Sen reviews Osgood Perkins’ latest film, The Monkey (2025), starring Theo James, Oz Perkins, and Elijah Wood.

President Daryl Cheong lists his predictions for the 97th Academy Awards, both the expected winners and the surprises.

If I had to describe Babygirl (2024) in one sentence, I’d say it’s a movie about people telling each other to sit down.

Staff Writer Tan Yan An reviews The Seed of the Sacred Fig, nominated for Best International Feature at 97th Academy Awards. Following the tense war in Iran and the uprising, an internal family conflict boils over — where blind faith is privileged over blood ties and true justice.

Staff writer Rachel Goh examines the will they/won’t they trope, its addictive pull, and the complexities of villainising side characters in sitcoms.

Staff Writer Jeff Chay reviews A Different Man (2024), a hauntingly absurd exploration of identity via a Kafkaesque metamorphosis.

Content Creator Dexter Lok finds joy in Joyland (2022), Saim Sadiq’s debut film which was screened at last semester’s Queer Week!

Editor-in-Chief Hannah Jade reflects on 3 films that were integral to her year.

As the Christmas season approaches more closely, Guest Writer Adrian Ho offers a Christmas film rec.

Missing Arcane (2021 - 2024)? Honorary Financial Secretary Venesya Ko has you covered.

Staff Writer Angelica Ng reviews the latest adaptation of the beloved classic, Wicked (2024), directed by Jon M. Chu, starring Ariana Grande and Cynthia Ervio.

Guest Writer Priyanka Arora reviews The Fable (2024).

Guest Writer Khushi Pai navigates a refreshing intimacy in Don’t You Let Me Go (2024).

Acclaimed actor Manoj Bajpayee shared his journey from Bihar to stardom, his love for theatre, and the toll of method acting during an interview at the Singapore International Film Festival, Priyanka Arora writes.

In the monochrome heart of Hanoi, a bereaved woman redefines home, family, and enduring bonds in a poignant exploration of identity and belonging. Staff Writer Tan Yan An reflects on the critical Cu Li Never Cries.

The Killers (2024) attempts an anthology of genre-whirling stories, but ultimately disappoints in its lack of maximising its potential, President Daryl Cheong writes.