Exposure
Welcome to NTU Film Society’s in-house publication.
Reviews of works, especially positive, that help an audience regard the film deeper.Op-eds or dissenting pieces that provide something different from the mainstream.Reviews, criticisms or pieces that view the art through a new, specific or varied lens.Essays that delve deeper into the theoretical aspects of film, often academic in nature.
Netflix’s Avatar: The Last Airbender (2024-): A Failure In Character Writing
Programmer Venesya Ko critiques the reworked characterisation of well-beloved characters in the new Netflix live-action Avatar: The Last Airbender, questioning the value it adds to the Avatar franchise.
Aquaman 2 Sucks: Climate Change and Greenwashing in Movies
Okky Prabowo critiques the latest superhero flick Aquaman and the Lost Kingdom, starring Jason Mamoa as the titular character, and questions the manner movies made in the present day tackle the theme of climate change.
Nudity Versus Objectification: a Sam Levinson Critique
Akanksha Joshi questions how nudity has been portrayed by Sam Levinson, American filmmaker and actor, in his television shows Euphoria and The Idol.
A Review of Stray Gods: The Roleplaying Musical (2023)
Sarah Mak gives a thorough run-down on her experience watching/playing Stray Gods: The Roleplaying Musical (2023), a roleplaying musical adventure game developed by Summerfall Studios and published by Humble Games.
Five Nights at Freddy’s, and the Problem with Game Adaptations
Mohamed Shafiullah reviews Five Nights at Freddy’s, the 2023 American horror film, based on Scott Cawthon’s video game franchise of the same name.
Past Lives: Celine Song’s Attempt at Modern Relationships
Kuo Yi Quan reflects on the A24-produced film Past Lives (2023) which explores the relationship of two separated childhood sweethearts who are reunited later in life.