Exposure
Welcome to NTU Film Society’s in-house publication.
Reviews of works, especially positive, that help an audience regard the film deeper.Op-eds or dissenting pieces that provide something different from the mainstream.Reviews, criticisms or pieces that view the art through a new, specific or varied lens.Essays that delve deeper into the theoretical aspects of film, often academic in nature.
Transfiguration International Film Festival Review “Historical Remnants”: Dreams of Fragments & Memories in Block 2
Editor-in-Chief Venesya Mayvelie Kosasi reviews the second block of this year’s Transfiguration International Film Festival and recounts how the selection of films explore history and memory in fragments that ultimately foreground the personal narratives of the marginalised.
I’ve Watched All 50 Oscar-nominated Films: Who Will Win?
President Daryl Cheong lists his predictions for the 97th Academy Awards, both the expected winners and the surprises.
SGIFF Film Review: Tótem
Content Creator Goh Cheng Hao reviews Lila Avilés’ film Totem (2023) which explores the plurality of illness through a child’s point of view.
SGIFF Film Review: Tedious Days and Nights
Content Creator Phyllis Chan writes a moving and powerful rumination on the Chinese docudrama Tedious Days and Nights, which exposes the current lives of former poet-activists in Mainland China.
SGIFF Film Review: Buddha Mountain
Editor-in-Chief Rhea Chalak reviews Chinese-language film Buddha Mountain (2010), directed by Li Yu and starring Fan Bing Bing.
SGIFF Film Review: The Parade
Content Creator Phyllis Chan reviews Ryan Benjamin Lee’s The Parade, an animated short that explores the intricacies of politics and individuality.
SGIFF Film Review: The River That Never Ends
Content Creator Phyllis Chan reviews JT Trinidad’s short film the river that never ends (2022).
PFF Film Review: The Shout
Content Creator Phyllis Chan reviews The Shout (1978), Jerzy Skolimowski’s British horror film based on a short story by Robert Graves.