Honorary General Secretary Shariffah Ili Hamraa recommends music for fans of the fictional titular songstress of Shunji Iwai’s All About Lily Chou-Chou (2001).

Programmer Venesya Ko ruminates on Past Lives (2023), and the tender manner it portrays the complexities of human relationships over time.

Content Creator Goh Cheng Hao reviews Lila Avilés’ film Totem (2023) which explores the plurality of illness through a child’s point of view.

Editor-in-Chief Rhea Chalak reviews a film with a lot of buzz surrounding it, especially in the Western film circuit: Yorgos Lanthimos’ latest black comedy Poor Things (2023).

Editor-in-Chief Rhea Chalak reviews Chinese-language film Buddha Mountain (2010), directed by Li Yu and starring Fan Bing Bing.

Content Creator Phyllis Chan reviews JT Trinidad’s short film the river that never ends (2022).

Vice-President Fidel Tan reviews Ryusuke Hamaguchi’s latest film Evil Does Not Exist (2023), following the themes of capitalist greed and gentrification in conflict with nature.

Content Creator Phyllis Chan reviews Alice Rohrwacher’s 2023 drama film, starring Josh O’Connor as a crumpled English archaeologist-turned-grave-robber.

Reagan Ng retrospects on the cult found-footage horror film, The Blair Witch Project (1999), and expounds on the undeniable influence it has had since.

Kimberly Ler takes us on a whirlwind journey through summer’s blockbuster Barbie (2023), infused with witty and incisive commentary.

Head Programmer Lee Peng Ming reviews Stanley Kwan’s Rouge (1987), the recent film of discussion at NTU Film Society, expressing why it had such a lasting impression on him.

Editor-in-chief Rhea Chalak reviews Wim Wender’s latest drama Perfect Days (2023) starring Kōji Yakusho in the role of a humble toilet cleaner.

Treasurer Sri Sakthivell S/O Ragavel reviews the latest release in The Exorcist franchise, The Exorcist: Believer.