Exposure
Welcome to NTU Film Society’s in-house publication.
Reviews of works, especially positive, that help an audience regard the film deeper.Op-eds or dissenting pieces that provide something different from the mainstream.Reviews, criticisms or pieces that view the art through a new, specific or varied lens.Essays that delve deeper into the theoretical aspects of film, often academic in nature.
SGIFF Review: Cu Li Never Cries (2024)
In the monochrome heart of Hanoi, a bereaved woman redefines home, family, and enduring bonds in a poignant exploration of identity and belonging. Staff Writer Tan Yan An reflects on the critical Cu Li Never Cries.
SGIFF Review: Stranger Eyes (2024)
Yeo Siew Hua’s newest feature film, Stranger Eyes, is as audacious and ambitious as the 35th Singapore International Film Festival, President Daryl Cheong writes.
SGIFF Film Review: Poor Things
Editor-in-Chief Rhea Chalak reviews a film with a lot of buzz surrounding it, especially in the Western film circuit: Yorgos Lanthimos’ latest black comedy Poor Things (2023).
SGIFF Film Review: Evil Does Not Exist
Vice-President Fidel Tan reviews Ryusuke Hamaguchi’s latest film Evil Does Not Exist (2023), following the themes of capitalist greed and gentrification in conflict with nature.
SGIFF Film Review: La Chimera
Content Creator Phyllis Chan reviews Alice Rohrwacher’s 2023 drama film, starring Josh O’Connor as a crumpled English archaeologist-turned-grave-robber.